• FCP Tip of the Day (2/5/10)

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    Tip of the Day!

    Macintosh OS – Using Cover Flow to Find Shots


    Here’s a handy way to find stuff fast…

    TIp Jar

    Adam Lloyd Connell sent this in:

    I was just wondering, have you explored how useful the Cover Flow tool in leopard is for finding a missing shot?

    In FCP 6, I am currently working on a long project with around 500 takes, and the cinematographer had only supplied one take of a particular cutaway to an object on a table. Trying to find that specific clip without the continuity notes easily at hand was a pain, and using FCP’s thumbnail view was slow.

    However, opening folders with footage from the XDCAM, and selecting ‘Cover Flow mode,’ made it so easy to flash past all the hundreds of (quite large) thumbnails, and we found the shot in minutes. I’ve gotten into the habit of finding my missing shots in Finder this way.

    Try it, next time you’re trying to find that elusive shot.


    Courtesy of Larry Jordan

  • How to Make Video Timelapse from Stills

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    A Philip Bloom HOW TO video on making videos from digital stills on the Canon 5D,
    Enjoy,

    Rodney, DCFCPUG!


  • FCP Tip of the Day (2/4/10)

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    Tip of the Day!

    Final Cut Pro – Resetting Multiple Audio Outputs


    Resetting audio output tracks is time-consuming, unless…

    Audio Settings

    This tip courtesy of Shane Ross.

    Let’s say you have a source file with 8 tracks of audio, and you mapped a1 and a2 to A7 and A8 on the timeline, and a5 is next to A6… in other words, the track assignments are ALL over the place.

    To get them back to the proper order takes like 15 clicks… TIME CONSUMING.

    Well, if you simply RIGHT-CLICK (or Control+click) in the gray area below the audio tracks, there is an option to RESET PANEL … click that and everything pops back into order, and everything is connected.


    Courtesy of Larry Jordan

  • Time to RSVP for the February DCFCPUG – Larry Jordan Event!

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    Don’t wait till the last minute, sign up NOW!!!

    Events
  • FCP Tip of the Day (2/3/10)

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    Tip of the Day!

    Final Cut Pro – Looking for Ways to Edit Faster?


    Here’s a fast, free, tutorial that shows you how!

    TIp Jar

    One of the requests I get most often are for tips on how to edit faster.

    So, I’ve put together a short (7:45) video tutorial that tells you everything you need to know.

    Take a look here.

    You can see a full list of all my tutorials here.


    Courtesy of Larry Jordan

  • Win a KONA LHi and a slot on the AJA NAB Show Reel!

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    DCFCPUG:
    Here is your shot at getting your work seen at NAB, courtesy of AJA.

    AJA is offering DCFCPUG members a chance to win a brand new KONA LHi and breakout box and an opportunity to promote their work to the world with the submission of their best work or footage for inclusion on AJA’s 2010 showreel to be unveiled at NAB 2010!

    AJA’s 2009 showreel has been seen by thousands the world over and now is the time to have their footage included in our brand new showreel!

    In exchange, they are awarding a brand new KONA LHi with breakout box for the best submissions in two categories: Professional and Student. Even if members don’t win the Grand Prize, they have an opportunity for their footage to be included in our new 2010n showreel which is seen and distributed across the world on the AJA website, Vimeo.com/channels/AJA and through our dealer channel as well as at major trade shows like NAB, IBC and InterBEE.

    GO HERE FOR DETAILS!



  • FCP Tip of the Day (2/2/10)

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    Tip of the Day!

    Final Cut Pro – Exporting Multiple Audio Tracks


    Need export more than two audio tracks? Piece of cake…

    TIp Jar

    Final Cut supports exporting up to 24 tracks of audio into a single QuickTime movie.

    It isn’t hard, and here’s an article that tells you want you need to know.


    Courtesy of Larry Jordan

  • Calibrating a Video Monitor

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    Brought to you by DCFCPUG and Peachpit:


    Excerpted from Video Made on a Mac: Production and Postproduction Using Apple Final Cut Studio and Adobe Creative Suite by Richard Harrington and Robbie Carman. Copyright © 2010. Used with permission of Pearson Education, Inc. and Peachpit Press.


  • VIDEO MADE ON A MAC – TAKE 2 – FEBRUARY 2010

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    On a Mac, the sky’s the limit for creating professional video. With all the tools available though, it can be a daunting task to decide which ones offer the best solutions for combined efficiency and high-level results.

    • How can you effectively communicate your vision to clients and crew?
    • How should you calibrate your camera for multi-camera and green screen shoots?
    • Is it better to do your keying in After Effects, Motion, or Final Cut?
    • How should you set up your edit suite for efficiency and accuracy?
    • How do you manage large amounts of media and a multitude of formats for multiple software applications?

    In Video Made on a Mac, you’ll learn the answers and much more. Chocked full of practical advice and step-by-step instructions, each chapter provides insight on the critical components of production and postproduction that can make all the difference when you’re up against a tight budget and schedule. The accompanying DVD supplies you with project files and high-definition footage so you can follow along with the examples, as well as 50 training videos. Whether you’re an advanced Mac user or just beginning to incorporate Adobe Creative Suite into your Final Cut Studio workflow, you’ll learn to apply best-practice techniques to all your video projects.


    In this edition of VIDEO MADE ON A MAC: Production and Postproduction using Apple Final Cut Studio and Adobe Creative Suite, the authors cover:

    Budget Template (p. 28-30)
    For the exercise in this chapter, click HERE for the Budget spreadsheet (Microsoft Excel spreadsheet version) and click HERE for Apple Numbers spreadsheet Template.


    Excerpted from Video Made on a Mac: Production and Postproduction Using Apple Final Cut Studio and Adobe Creative Suite by Richard Harrington and Robbie Carman. Copyright © 2010. Used with permission of Pearson Education, Inc. and Peachpit Press.



  • FCP Tip of the Day (2/1/10)

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    Tip of the Day!

    Final Cut Pro – Only Capture the Audio Track You Need


    You can select which audio tracks you capture or ingest.

    Audio Settings

    In both the Log & Capture window and the Log & Transfer window, you can specify which audio tracks you want to bring into Final Cut.

    In both cases, reducing the number of audio tracks you capture reduces the storage space needed for the file.

    In Log & Capture

    Click the Clip Settings tab. Click a green visibility light to ignore all audio on that track. Light green visibility lights mean an active track. Dark green visibility lights mean an inactive track.

    In Log & Transfer

    Click the Clip Settings tab. Click a green visibility light to ignore all audio on that track.

    In both screens, light green visibility lights mean an active track. Dark green visibility lights mean an inactive track. Inactive tracks will not capture audio.


    Courtesy of Larry Jordan